ISFO Competition

The International Student Film Organisation has asked me to post about their current short film screenwriting competition. Among the judges are Julie Gray, who has a good eye for scripts and deliver great feedback. Which is worth mentioning because the third prize for the 20 best scripts is a review of the script by the judges. Could be more valuable than the first prize of Mariner Writers Suite and the second prize, a scriptwriting book: "Screenwriting they can't resist".

So if you're curious, read more about it at their site.

And best of luck if you compete.

Out of Book

An expression from the world of chess, describes the phase of the game, when you leave behind the known opening moves and systems of 'the chess book'. This is where real players prefer to be, where the challenge happens. This is the critical state, in between chaos and order, where inspiration and new ideas emerge almost by themselves.

This is also where we should aim to put ourselves when working with drama, be it as writers, directors or actors. As professionals we have an understanding of the rules and systems of drama, and often we need to follow them strictly for a while, as we build up our game. But as soon as we have enough elements brought into play, we need to get out of book.

In my experience, by understanding the rules and systems from a more principled, dynamic view-point rather than as a rule-book, we put ourselves at a starting point, from where we'll quicker reach the 'out of book'-phase. Where the magic and the 'cooking-with-gas' happens.

By disciplining ourselves to constantly look for the unexpected, by reversing our own expectations, by letting any of our own mistakes or stupid criticism from others be a potential source to bring us out of book, we can get there, and stay there, and bring our game beyond book.